Skip to main content

Assessment 1 - Hand in

Week 8 - its hard to believe that 8 weeks have actually gone by.  It's been quite a learning experience and we have been hitting it pretty hard in terms of work load.  Being sick all of last week didn't help as it has become a race to the finish line, with blogs to be amended, files to be reordered and also the exercises and self directed photos which clearly needed to be completed or redone.

For all those considering doing this course - i hope you do! its a lot of hard work but well worth the effort.  At this stage of the programme our assessment 1 is due.  This is an interpretation of what we believe will showcase our learning journey thus far.  I didn't really think that my body of work was that good, but we got to start somewhere right! "clique" but true...

The piece i chose is my photo of the flame from a outdoor heater which i took one night as i was walking past restaurants toward Silo Park in town.

I chose this piece because i like the fluidity of movement of the flame.  I adjusted my shutter speed and aperture in this photo to compensate for the lack of light as this was taken at night.  The lines in this photo contrast each other, the rigid consistent straight horizontal lines sitting on top of the curvy inconsistent lines of the flame.  There is also a contrast of dark and light, which is also captured reflected on the cage, reflective of the chiaroscuro light. 

The changes to the original photo firstly i converted the image to black and white.  The reason for this was because i believe it shows more impact to the flame.  The colour image to me seemed a bit one dimensional and not as dramatic as that of the black and white image.  I cropped the image to bring more focus onto the flame however leaving enough room to allow for the cage to act as a frame to the image.  I also adjusted the levels so that the blurred parts of the flame could be seen more clearly.  This required tweaking the highlights and dark areas of the image.

The photographic elements which i mentioned above are:
  1. leading lines
  2. aperture (wide DOF)
  3. shutter speed
  4. framing
  5. Composition
  6. Texture
  7. Light
In order to prepare this image for printing i placed the image on a white canvas.  I debated whether or not to use a black canvas, but decided that the impact of the photo would benefit from a white canvas.  I then added a stroke for trimming purposes.
f/10, 1/250, ISO 400


Comments

Popular posts from this blog

Week 1 - Shutter Speed (TV)

Week 1 This week we are looking at Shutter speeds.   The shutter speed controls the durations of the exposure.  It is the length of time the shutter is open and where light can get in through your sensor. Less light 1/1000 sec - freeze action More light 1 sec - artistic blurs Our exercises in class this week was to play around with different shutter speeds.   It’s my first time using a proper tripod and I must say it’s a wee bit more sturdy and fiddly then the budget ones I’ve used before.   It’s a bit daunting setting up a shot with all this fresh info churning around in my head.   On top of it all there’s a knob for everything on this darn tripod – eek!!! i feel for my poor models having to wait patiently while i sort it all out.   Sorry guys!  Anyway here are some examples of shots at varied shutter speeds I've taken during the week. Still portraits Shutter speed: 1/80", f/10 Shutter speed: 1", f/36 As you increase ...

Wk 2 Depth of field Artist: Sebastiao Salgado

Sebastiao Salgado Is a Brazillian social documentary photographer and photojournalist.  He started taking photographs in his 30s.  Sebastiao Salgado works on long term, self assigned projects.  He devotes years at a time to document the stories of people and places.  Many of his works have been published as books The Other Americas, Sahel, Workers, Migrations and Genesis.  His most famous pictures are of the gold mine in Brazil called Serra Pelada. Sebastiao has an amazing body of work.  The images i have chosen showcase how he uses Depth of Field to capture the essence of his subjects. This is an example of wide depth of field.  As we know wide depth of field focus range covers a large area front-to-back.  Depending on a lens camera range this could be from several yards in front of the focus plane to nearly infinity behind.  These types of photos are often associated with landscapes and architectural photography. It is usefu...

Vantage points

Wk 2 - Vantage Points Week 2 - woooowzers i honestly feel like i've been doing this for a lot longer then just two weeks.  I'm still finding my feet, and trying to keep on track.  So far so good, just need to keep practicing! Yesterday we went on a class trip - a short one, just up the road to the Otara town centre.  The aim of this trip was to take some photos from different vantage points.  Vantage points are the varied angles in which you can take photos such as high, low or even straight on. Here are some high and low angle shots that i took: High angle shot f/4, 1/125, ISO 100  This is a shot of a ponga log, one of many which is used as a fence.  I like how the light contrasts with the darker areas.  It highlights the rough woody texture of the log.  The grouping of circles give the log a curved fan like appearance as  though it has been pulled together and tighten further down by a string like a bouquet. f/4.0, 1/2...